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Wall Street International latest articles & videos
 Interview with Paul GladstonContemporary Chinese art and contemporaneity |  Imran QureshiOut of Blue |  Shirin Neshat’s Women Without MenMahdokht, Zarin, Munis, Faezeh, Farokh Legha |
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 The Secret World of PerfumesAn interview to Christopher DiCas |  MakerArtContemporary art and new technologies |  Painting As An Emotional StateAn interview with Alessandro Moreschini |
 146 Years of Research and InnovationThe Real Academia de España in Rome |  The Stomach SystemAn interview to Rosalia Banet |  Let the Underworld EmergeThe seabed of Mario Vespasiani |
 The Fragility of Human ExistenceAn interview to Penzo+Fiore |  Pepe Espaliù and the Italian contextThe first exhibition in Italy dedicated to the famous Spanish artist |  Maybe It's Just SeasicknessAn interview to Simona De Simone (known as Nuanda Sheridan) |
 The Disappearance of FirefliesInterview with Josep Tornero |  An artist between reality & fictionKepa Garraza, one of the most interesting international artists |  The value of wonderingMaurizio Cannavacciuolo on show in Milan |
 Enrica BorghiThe beauty of the waste |  NewFaustianWorldOvercoming the limits |  Terry RodgersYou Were Never Really There |
 From the Arab Fashion Week to the LoSimone Racioppo, an international success and the discovering of a new talent |  Suasa welcomes the Third ParadiseA past much more present |  The beauty of the momentGino Sabatini Odoardi’s artistic practice |
 Ailanto <3Stefano Arienti, Cuoghi Corsello, Dado e Rusty |  Yuval Avital’s JobIn defense of the difference |  Glenn BrownThe process of reappropriation as the key to our future |
 Real Academia de España en RomaBetween traditions and continuous innovations |  Thousand and one dreamsInterview with Simone Racioppo |  Sauvage chicThe dreamlike beauty of Attilio Carota |
 What does it mean to be art curatorAn interview to Camilla Boemio |  The Museum Bertozzi & CasoniEnchanting the world at Cavallerizza Ducale in Sassuolo |  Is aesthetics ethics?Is aesthetics ethics? |
 There is no beauty without dreams anThe challenge of Simone Racioppo |  Cultural practices and social transfInterview with Jorge Conde |  Michelangelo PistolettoOne and One makes Three |
 Glenn BrownUnknown Pleasure |  Homeland ExperiencesShirin Neshat in Venice |  Bertozzi & Casoni. Minimi AvanziThe strength of fragility |
 Renato Barilli’s diaryEpiphanic visions of reality |  Gonkar GyatsoFamily Album |  Giorgio FasolCollecting is an art |
 Imran QureshiThe seeming endless path of memory |  Shirin NeshatPractices of regeneration |  Reale Academia de EspañaAn immersive creative workshop in Rome |
 Harmonizing differencesTerzo Paradiso/Rebirth Day performance |  Ergin CavusogluPost-global Ethnographies |  EffimeraThe role of art and critic in the society |
 Chinese contemporary artAn interview with Paul Gladston. Part Two |  Chinese contemporary artAn interview with Paul Gladston. Part One |  Pistoletto and RebirthTerzo ParadisoChanging the world through art |
 Art and social transformationStefano Cagol retrospective at Galleria Civica in Trento (Italy) |  Democratic ParadoxesAn exhibition curated by Imma Prieto at Real Academia de España in Rome |  Stan DouglasThe Secret Agent |
 FiloworldsAn interview with Lorenzo Pezzatini |  Passage through the worldShoja Azari, Shirin Neshat, Mohsen Namjoo |  TranscendentalA new bet for Gonkar Gyatso |
 Moataz NasrFreedom Crossroads |  Curating nowThe final project at the de Appel arts centre in Amsterdam |  HumanAntony Gormley at Forte di Belvedere in Florence |
 SURPLACEThe conditions of migrants in Mario Airò’s view |  Ignite the lightNicola Formichetti's new creation |  ZimounAesthetic Soundings |
 Rethinking culture through artAn interview to Sabrina Mezzaqui |  Jeff KoonsA retrospective of a revolution |  The end of the world as you know itA talk with Kepa Garraza |
 A Dialogue with Gonkar GyatsoShapes of the New Global Mass-Media Culture |  Interview with Simone RacioppoSR Jewels: an Italian fashion designer at the Carrousel du Louvre |  Interview with Ergin ÇavuşoğluThe 4th International Canakkale Biennial |
 The TempestOn Stage Shirin Neshat and Krzysztof Pastor’s masterpiece |  Giuseppe Penone.Vegetation perspective |  Bertozzi & CasoniDove Come Quando |
 Jackson PollockThe figure of the fury |  IN ITINEREContemporary art in transformation |  Alberto Di Fabioand the "God particle" |
 Un'idea di bellezzaOltre la banalizzazione del concetto |
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