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Writing has always been an important part of my curatorial practice.

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But I don’t think of writing only in terms of books, essays or articles. Writing can take many forms. It can begin with a question, become a conversation, shape an exhibition, accompany an artist’s work or develop into a film.

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For me, writing is part of the process through which ideas are explored, connected and eventually given form.

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                                             SCROLL

BOOKS 

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ESSAYS 

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ARTICLES

CONVERSATIONS

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CURATORIAL TEXTS

FILM

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PROGRAMMES

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PROGRAMME

Masterpiece.
Sulle tracce della meraviglia

Masterpiece is a journey through contemporary art, bringing artists, places and different forms of storytelling together. Conceived and written as a series, it explores how art can reach a wider audience through a language moving between television, cinema and documentary.​

Written by Raffaele Quattrone
with Alessandro Moreschini and Livia Savorelli
Directed by Piero Passaro

2023 · Broadcast 2024

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ARTICLE

Antony Gormley
and what holds us
together

 

MEER · 2026

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BOOK

IN ITINERE
Arte contemporanea in trasformazione

 

Raffaele Quattrone

 

Preface by Michelangelo Pistoletto
Including a conversation with Wang Qingsong

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Equipèco 2014

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CONVERSATION

Jean-Marie
Appriou

and the art of passage

MEER · 2026

“Beyond these specific works, is your practice also concerned with identities that transform, shift, and resist clear definitions?”

CURATORIAL TEXT

Michelangelo
Pistoletto

Real Academia de España en Roma · 2023

Michelangelo Pistoletto’s art is an art of relation, participation and sharing, as well as a search for identity. An ever-evolving inquiry that, from the very beginning, has sought to overcome the separation between artwork and viewer, between art and life.

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FILM

NewFaustianWorld

Written by Piero Passaro and Raffaele Quattrone

Directed by Piero Passaro

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2018 · 37 min

 

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ESSAY

Modernità e
campo dell’arte

Per una sociologia critica dell’arte contemporanea

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​Raffaele Quattrone · 2010

Modernità e campo dell’arte examines the art system as a symbolic field of struggle, where relations of power emerge through both artistic production and the mechanisms of legitimation. Deeply influenced by Pierre Bourdieu’s critical theory, the book brings sociology, aesthetics and art criticism into dialogue.

This is a selection

EXPLORE THE COMPLETE LIST OF PUBLICATIONS

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